Sarah Morris (born in the UK in 1967) lives and works in New York. Having studied philosophy and semiotics at Brown University and Cambridge University between 1985 and 1989, Morris participated in the Independent Study Program of the Whitney Museum of American Art in New York. She was strongly influenced by artistic movements like pop art, minimalism and conceptualism. Morris worked as an assistant for a while to the American artist Jeff Koons. She set up her own studio in the mid-1990s, calling it Parallax (after the 1974 film The Parallax View, starring Warren Beatty).
She has been exhibited internationally including solo exhibitions at the Museum of Modern Art, Oxford (1999), Kunsthalle Zürich (2000), the Nationalgalerie im Hamburger Bahnhof, Berlin (2001), Kunstforeningen, Copenhagen (2004), Moderna Museet, Stockholm (2005), Palais de Tokyo, Paris (2005), Kestner Gesellschaft, Hanover (2005) and Museum Boijmans van Beuningen, Rotterdam (2006), Fondation Beyeler (2008), Lenbachhaus, Munich (2008), MAMbo, Bologna (2009), MMK, Frankfurt (2009), K20 Sammlung Nordrhein-Westfalen (2010), Wexner Center for the Arts (2012) and Kunsthalle Bremen (2013).
Previous monographic publications include Bye Bye Brazil, White Cube, London (2013); An Open System Meets an Open System, Springer-Verlag/Wien, Austria (2013); Beijing, Museo d’Arte Moderna di Bologna, Museum für Moderne Kunst, Frankfurt, Witte de With, Rotterdam, Walter König, Cologne (2009); Lesser Panda, Jay Jopling/White Cube, London (2008); Los Angeles, Galerie Aurel Scheibler, Cologne (2005); Bar Nothing, Jay Jopling/White Cube, London (2004); Capital, Oktagon, Cologne (2001); Sarah Morris, Kunsthalle Zürich (2000); and Modern Worlds, Museum of Modern Art, Oxford, Galerie für Zeitgenössische Kunst, Leipzig and Le Consortium, Dijon (1999).
Sarah Morris is represented by White Cube, London; Air de Paris, Paris; Petzel, New York and Capitan Petzel, Berlin.